BEGIN:VCALENDAR VERSION:2.0 PRODID:-//wp-events-plugin.com//7.3.3//EN TZID:America/Los_Angeles X-WR-TIMEZONE:America/Los_Angeles BEGIN:VEVENT UID:7@tacomaago.org DTSTART;TZID=America/Los_Angeles:20160417T150000 DTEND;TZID=America/Los_Angeles:20160417T163000 DTSTAMP:20160416T003004Z URL:https://tacomaago.org/events/kimberly-marshall-organ/ SUMMARY:Kimberly Marshall\, organ DESCRIPTION:Kimberly Marshall maintains an active career as a concert organ ist\, performing regularly in Europe\, the US and Asia. She currently hold s the Patricia and Leonard Goldman Endowed Professorship in Organ at Arizo na State University\, having previously held teaching positions at the Roy al Academy of Music\, London\, and Stanford University\, California. Winne r of the St. Albans Competition in 1985\, she has been invited to play in prestigious venues and has recorded for Radio-France\, the BBC\, and the A ustralian Broadcasting Corporation.\nA native of Winston-Salem\, North Car olina\, she began her organ studies with John Mueller at the North Carolin a School of the Arts. Her early interest in French music took her to Franc e where she worked with Louis Robilliard and Xavier Darasse before returni ng to North Carolina to complete her undergraduate studies with Fenner Dou glass.\n\nFollowing her victory at St. Albans\, Kimberly Marshall was invi ted to play throughout Europe\, including concerts in London's Royal Festi val Hall and Westminster Cathedral\, King's College\, Cambridge\, Chartres Cathedral\, Uppsala Cathedral\, and the Dormition Abbey in Jerusalem. She has also performed on many historical organs\, such as the Couperin organ at Saint-Gervais\, Paris\, the Gothic organ in Sion\, Switzerland\, and t he Cahmann organ in Leufstabruk\, Sweden. She especially enjoys tailoring programmes to the styles of the instruments she plays\, as is evident from her recordings of Italian and Spanish music on historical organs. Her pla ying is informed by research into obscure repertoire and by a knowledge of performance practice\, although she does not limit herself to early music . While at Stanford and the Royal Academy of Music\, she gave performances of organ works by Ligeti in the presence of the composer\, and she has be en an advocate for music by Margaret Sandresky\, Dan Locklair and Ofer Ben -Amots. She is attracted to the organ by its vast possibilities of timbre and by the instrument's complex development since its invention in the thi rd century BCE. Her work reflects this enthusiasm for musical creativity a nd historical awareness.\nIn 1986\, Kimberly Marshall received the D.Phil. in Music from the University of Oxford. Her thesis\, Iconographical Evide nce for the Late-Medieval Organ\, was published by Garland in 1989. More r ecently\, she has developed this work in several articles and lecture/pres entations and the CD recording "Gothic Pipes." She has lectured on her res earch for the American Musicological Society\, the Royal College of Organi sts\, and the Berkeley Organ Conference. In recognition of her work\, Kimb erly Marshall was awarded a Fulbright Scholarship to continue her research and teaching during 1991 at the Sydney Conservatorium in Australia. Her e dition of articles on female traditions of musicmaking\, Rediscovering the Muses\, was published by Northeastern University Press in 1993\, and she contributed entries for the Grove Dictionary of Music 2000 and for the Oxf ord Dictionary of the Middle Ages.\nDr. Marshall's compact disc recordings feature music of the Italian and Spanish Renaissance\, French Classical a nd Romantic periods\, and works by J. S. Bach. She has also released a rec ording of works for organ by female composers\, "Divine Euterpe\," that in cludes music by Fanny Mendelssohn Hensel\, Elfrida Andrée\, and Ethyl Smy th. Kimberly Marshall was a recitalist and workshop leader during many Nat ional Conventions of the American Guild of Organists (Dallas\, 1994\; New York\, 1996\; Denver\; 1998\; Seattle 2000\, Los Angeles 2004). From 1996- 2000\, she was affiliated with the Organ Research Center in Göteborg\, Sw eden\, where she taught and performed\; under the aegis of GOArt\, she org anized the conference "The Organ in Recorded Sound\," and has edited the p roceedings of this\, the first-ever conference devoted to sound recordings of the organ. During the summer of 2001\, she appeared in Seoul for the K orean Association of Organists and in Toronto for the Convention of the Ro yal College of Canadian Organists. Her recording of Chen Yi's organ concer to with the Singapore Symphony was released in 2003 on the BIS label\, and her anthologies of late-medieval and Renaissance organ music were publish ed by Wayne Leupold Editions in 2000 and 2004.\nKimberly spent the spring of 2005 on sabbatical in Pistoia\, Italy\, where she researched early Ital ian organ music and performed on many historical organs\, including those in Roskilde Cathedral (Denmark)\, the St. Laurenskerk\, Alkmaar (Netherlan ds)\, the Jacobikirche Hamburg\, as well as the famous Hildebrandt instrum ent in Naumburg\, Germany\, which Bach examined in 1746. During the summer of 2006\, she presented concerts and workshops on early music in Sweden a nd Israel\, and she was a featured artist for the 2007 Early English Organ Project in Oxford. ATTACH;FMTTYPE=image/jpeg:https://tacomaago.org/wp-content/uploads/2016/04 /kimberly_marshall.jpg CATEGORIES:Organ Recitals LOCATION:Walker-Ames Room\, Kane Hall\, University of Washington\, Kane Hal l\, University of Washington\, Seattle\, WA\, 98195\, Seattle U District\, United States GEO:47.65658149999999;-122.30918629999996 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kane Hall\, University of W ashington\, Seattle\, WA\, 98195\, Seattle U District\, United States;X-AP PLE-RADIUS=100;X-TITLE=Walker-Ames Room\, Kane Hall\, University of Washin gton:geo:47.65658149999999,-122.30918629999996 END:VEVENT BEGIN:VTIMEZONE TZID:America/Los_Angeles X-LIC-LOCATION:America/Los_Angeles BEGIN:DAYLIGHT DTSTART:20160313T030000 TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT END:DAYLIGHT END:VTIMEZONE END:VCALENDAR