Tacoma AGO Hosts an Immersive Exploration of Bach’s Organ Music

On March 21, 2025, the Tacoma Chapter of the American Guild of Organists hosted an extraordinary six-hour watch party featuring the documentary Bach and Expression. This event, planned and moderated by Chapter Dean Wyatt Smith, and held at The University Club of Puget Sound, was a departure from our usual one-hour programs, offering attendees an immersive experience into the depths of Johann Sebastian Bach’s organ music.

The centerpiece of the gathering was the screening of Bach and Expression, a comprehensive seven-part documentary exploring the nuances of performing and interpreting Bach’s organ works. Renowned organists Daniel Moult and Martin Schmeding guided viewers through historical performance practices, expressive techniques, and the unique characteristics of tracker-action organs. The film also showcased performances on meticulously chosen central German organs, emphasizing their historical authenticity and rich tonal qualities.

Throughout the afternoon, attendees engaged in vibrant discussions, reflecting on various aspects of the film and performances:

• Acoustics of Historic Churches: Participants marveled at the extraordinary acoustics of the churches featured in the recordings, noting how the ambient qualities enhanced the resonance and depth of Bach’s music.
• Expertise of the Presenters: The profound knowledge and exceptional playing skills of Moult and Schmeding were widely appreciated, with attendees expressing admiration for their insightful interpretations and technical mastery.
• Authenticity of Tracker Organs: The use of historical tracker-action organs sparked conversations about their mechanical action, which provides a direct connection between the organist’s touch and the pipes’ response.
• Balancing Historical Accuracy with Emotion: A recurring theme was the challenge of honoring historical performance practices while also allowing for personal expression. Attendees debated the extent to which an organist should adhere to historical conventions versus infusing individual artistic interpretation.
• Registration Techniques and Repertoire: Specific pieces, such as the Toccata in F Major, served as focal points for discussions on registration choices. Participants analyzed how different stop combinations can alter the character and impact of a performance, sharing insights and preferences.

To complement the intellectual and auditory feast, refreshments were available throughout the event, fostering a convivial atmosphere that encouraged networking and further discussion among organ enthusiasts.

This extended program provided a rare opportunity to delve deeply into the art of interpreting Bach’s organ music, leaving attendees inspired and enriched. The Tacoma Chapter looks forward to organizing more such immersive events in the future, continuing our commitment to education, appreciation, and the celebration of organ artistry.

For those interested in viewing the documentary, Bach and Expression is available through Fugue State Films.

In recognition of Black History Month, the University of Washington School of Music has recently released “The Black Composers Project, Music for Organ” under the direction of Dr. Stephen Price, head of UW Organ Studies. With the assistance of six UW students from the flute, voice, violin, and organ studios he has produced a one-hour video which includes outstanding individual performances by students and one by Dr. Price along with introductions by Dr. Anne Searcy, Associate Professor of Music History at UW.

Price, a member of both the Tacoma and Seattle AGO chapters, started planning for this comprehensive project in the summer of 2024. To highlight the evolution of organ music, he includes composers in the video ranging from the Classical era to the 21^st century: Joseph Bologne Chevalier de Saint-Georges (1745-1799); Scott Joplin (1868-1917); Samuel Coleridge-Taylor (1875-1912); Florence Price (1887-1953); Charles Loyd, Jr. (b. 1948); Euridice Osterman (b. 1950); and David Hurd (b 1950.) As the final piece, Price improvises his own rousing accompaniment to the beloved spiritual “Ev’ry Time I Feel the Spirit.”

The video is enriched by Dr. Anne Searcy’s enlightening commentary about the historical background on each composer. She includes not only biographical details but interesting footnotes. As one example, did you know that the great Black contralto Marian Anderson performed settings of spirituals by Florence Price in her historic concert on the steps of the Lincoln Memorial in 1939? Dr. Searcy, along with the other performers, also discusses many aspects of the music itself.

The organs played in the video were chosen from the instruments in Seattle which the School of Music utilizes for lessons, practice sessions, and recitals. They include organs from St. Mark’s Cathedral (Flentrop), Plymouth UCC (Fisk), Church of the Blessed Sacrament (Bigelow), St. Alphonsus Catholic Church (Fritts/Richards, Op. 4), and University of Washington (Fritts, Op. 9).

Regarding his experience as artistic director of this project, Price has stated that “it was a privilege to feature music from the African diaspora, showcasing the richness and diversity within the culture.” With this video he and the UW School of Music have offered us a valuable tool for both appreciating and delighting in that same richness and diversity.

On February 17, 2025, Tacoma AGO members gathered in a classroom at the University of Puget Sound to hear a presentation on how to use a tablet as a music reader.

Chapter Secretary Thomas Clark used his presentation to show what hardware and software are available. Then, using musical examples, he showed how to create PDF files from music, and how to evaluate files available on IMSLP.org. Finally, using MobileSheets as an example reader, the group learned about the features available in score reading applications, and how to leverage them to enhance musicality when playing.

A PDF file of the presentation is included below. Much of the information in the talk was conveyed orally, and is not included in the PDF file. The file will be most useful to those who were present.